Archive for December, 2009

Acting Tips

Friday, December 18th, 2009

Don’t rush your reading. Your goal is to do your best work, not to get in and out as quickly as possible.

Acting Tips

Thursday, December 17th, 2009

If you’re listening to yourself, you’re not acting, you’re critiquing.

Audition Tips

Wednesday, December 16th, 2009

“There’s a lot of talent. But I think talent in the world is very ordinary, very common. There’s plenty of it. However, disciplined talent is very very rare.”
-Irving Stone, Author

Audition Tips

Tuesday, December 15th, 2009

Take an index card and make up your own checklist of things to remember that you can review while you’re in the waiting room i.e. breathe, focus on the other person, really listen, strong moment before, strong sense of place etc. This will allow you to consistently do your best work.

Interviewing with agents

Monday, December 14th, 2009

Interviewing with Agents: An interview is an indication of their interest, not a test. If you don’t like to talk about yourself, create a character who does. If you can play a killer, you certainly can play someone who’s warm, friendly, and engaging.

Acting Tips

Friday, December 11th, 2009

In film acting, the audience should be at least as interested in what you’re thinking as what you’re saying.

The Business of Acting

Thursday, December 10th, 2009

Your job is to (a) make your work so excellent that you can’t be ignored and (b) let everyone in the industry know that you’re out there and you’re ready to work. Sounds simple but you must work consistently every day on your craft and your business to make it happen.

Acting Tips

Wednesday, December 9th, 2009

“I believed so thoroughly I was going to be a star that whenever I got turned down for something I thought, My God, When are these people going to wake up.”?
-Richard Dreyfuss

Audition tips

Tuesday, December 8th, 2009

Blaming bad writing is a wonderful excuse but it won’t get you the job. Your job is to provide the subtext. Subtext includes what you really believe, what you really mean, what you really think, what you really want, what you’re afraid of, what you hope for and what you’re bursting to exclaim. The script provides the text. You provide the subtext.

Acting tips

Monday, December 7th, 2009

‘Whenever we dig down into the achievements of a creative artist, we invariably trace them to the beginning of all beginnings; labor.”

Galina Ulanova, Ballerina